Friday, October 31, 2008

If tomorrow Never Comes - Freymond-Guth Fine Arts, Zürich


If tomorrow never comes, 27 black and white slides, created during Exposito International Residency in collaboration with Achivio Parisio and Archicio Carbonne, 2007

Freymond-Guth Fine Arts
Brauerstrasse 51
CH 8004 Zürich

+41- (0)44 240 0481
office@freymondguth.com
http://www.freymondguth.com

Tanja Roscic "noon moon" (grande salle)
Christodoulos Panayiotou "if tomorrow never comes" (cabinet)

1 November - 24 December 2008
Opening 31 October 19hrs

Slow Dance Marathon at Art Forum Berlin - Künstlerhause Bethanien

As every year, the Künstlerhaus Bethanien will participate in the art fair ART FORUM BERLIN.
On the fairgrounds next to the „Funkturm“, you will find us in the Palais at Stand 117 where we will provide you with the most up to date information on the artists of our International Studio Programme, new exhibition projects and the most recent publications.

30th October (Opening) until 3rd November 2008, 12 – 8 pm
Palais am Funkturm / 117

Thursday, October 30, 2008

Three ladies dying as swans


Natalia Makarova

Maya Plisetskaya

Anna Pavlova

Wikipedia

Wednesday, October 29, 2008

Sunday, October 26, 2008

Friday, October 24, 2008

Nicolas Desmaison




My dear friend Nicolas Demaison went back to Paris today. He was my guest for one week and he reminded me not to forget.

Wednesday, October 22, 2008

Yesterday

Thursday, October 16, 2008

B

Wednesday, October 15, 2008

A-Z

Tuesday, October 14, 2008

Thursday, October 9, 2008

How?

Wednesday, October 8, 2008

Bye Bye Peace

The rainbow conspiracy

Tuesday, October 7, 2008

A shy rainbow

Monday, October 6, 2008

A lonely tree

Saturday, October 4, 2008

Salon Of The Revolution - Zagreb - Croation

Salon of the Revolution is developed and curated by Ivana Bago and Antonia Majaca


Christodoulos Panayiotou, Wonder Land, 80 color slides, 2008

The title of the exhibition for the 2008 Zagreb Youth Salon – Salon of the Revolution, contains a deliberate paradox and ambiguity that defines it both as 'revolutionizing a Salon' and 'salonizing a revolution'. By creating a space of uncertainty about its meaning, it presents itself primarily as a question, reflecting on the possibilities, responsibilities, and positions which contemporary art and intellectual practice can occupy today.

The year 1968 (the year of the global revolts but also the year when the Youth Salon was first established in Zagreb) is just an allusive starting point for the multifaceted project which links strategies of resistance in the past with those of today and, in a more general sense, questions the ways in which looking into the past, even with nostalgia, can foster not only a passive attitude which Walter Benjamin reproachfully dubbed 'left melancholy', but the driving force of a new reflection on art and the present moment. The relation towards the past which the Salon of the Revolution wishes to activate is closest to Badiou’s concept of the 'fidelity to the event' and, besides 1968, the project maps a series of other 'events' from the past which together form a repertory of empowering references, or at least moments whose heritage is today worth questioning and whose 'anniversaries' we can, without cynicism, congratulate.

The show further reflects on the history of the exhibition venue, the House of Artists, designed by Ivan Mestrovic and build in 1938, which, since then, had gone through several transformations, all of which have been linked to highest instances of state politics and the changing ideologies (inaugurated as an artists’ house, it became a mosque during the WWII, then a Museum of Revolution; during the 1990s it almost became a pantheon of 'Croatian nobles', but thanks to a local artists' and intellectuals' initiative, it was finally restored to its original function of an art venue).

Participating Artists
Julieta Aranda, Arturas Bumsteinas & Laura Garbstienė, Petar Bunic, Alejandro Cesarco, Kajsa Dahlberg, Mariana Castillo Deball, Claire Fontaine, Samuel Dowd & Florian Roithmayr, Ivan Dujmušic, Koken Ergun, Marin Kanajet, Patricia Esquivias, Jakup Ferri, Mario Garcia Torres, Djuro Gavran, Igor Grubic, Nicoline Van Harskamp, Stefan Haus, Adrijana Hiseni, Ilegalni Bioskop, Sinisa Ilic, The Institute Of Art And Practice Of Dissent At Home, Janez Jansa, Jeudi Noir, Bozidar Katic, Iva Kovac & Natasa Tepavcevic, Nenad Kurcubic, Sinisa Labrovic, Runo Lagomarsino, Ivan Latin, Marko Markovic, Monument To Transformation, Radenko Milak, Ciprian Muresan, Angel Nevarez & Valerie Tevere, Ahmet Ogut, Damir Ocko, Christodoulos Panayiotou, Lala Rascic & Vuneny, R.E.P. - Revolutionary Experimental Space, Joanne Richardson, Dina Roncevic, Majorian 458, Karla Suler, Pilvi Takala, Stefanos Tsivopoulos, Nassan Tur, Mona Vatamanu & Florin Tudor, Voina

Disobedience Archive, an ongoing video archive about the relationship of artistic practice and social and civil disobedience, curated by Marco Scotini, is specially hosted in the framework of the Salon of the Revolution, with the setup design by Zbynek Baladran.

29th Youth Salon
Salon Of The Revolution
October 4 - 26, 2008
HDLU – Mestrovic Pavilion
Trg zrtava fasizma bb, Zagreb, Croatia
info@hdlu.hr

Friday, October 3, 2008

Horror Vacui - Layr Wuestengaen Contemporary - Vienna


Christodoulos Panayiotou, To be willing to march into hell for a heavenly cause (audio)
Wissenschaftliches Kabinett Simon Weber-Unger, Induktionsglobus from 1906


mahony, In a land far away, after Rina Banerjee, Paper, glue
Constantin Luser, Drachenleere, Fineliner on, cardboard
Constantin Luser, Leere, Fineliner on cardboard
Christodoulos Panayiotou, To Be Willing To March Into Hell For A Heavenly Cause, (poster)
Michael Müller, The Journey until the End of the Line, Pencil on FT-paper


Marius Engh, Gulfstream V #1-4, 2007, C-print on Fuji archival paper



Misha de Ridder, Niagara, Kodak Endura Print, mounted on dibond
Michael MüllerWirklichkeit, Ink on paper
Michael Müller, Apud Nebula, Pencil on paper



Simon Faithfull, Escape Vehicle no.6, DVD


mahony, Segmentbild, Potato skin on wooden, frame
Zirkel, Wood, cardboard, chalk, Dim. variable
Kreidekreis/Chalk circle
Ei des Columbus, glass, glue, tap

source:
www.layrwuestenhagen.com

If tomorrow Never Comes - Rodeo - Istanbul


Yimaz Aysan - Postcard Archive


Angelo Plessas - Fantasy Gates


Andreas Angelidakis - The house for a collector


Christodoulos Panayiotou - If tomorrow never comes


Gülsün Karamustafa - Bosphorus 1954


Mark Aerial Waller's - Flipside of Darkness,



Loukia Alavanou's - Geppeto's Clocks

source:
www.angelosays.com
www.andreasangelidakis.blogspot.com